The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean. September 4 - December 14, 2024
I am honored to present two of my works in this exhibition: Time to Be Invisible from my How to Measure Time series, and Sheet I from the Family Atlas series. It is a privilege to be part of this historic exhibition, joining fellow artists from the Asian diaspora.
The full list of artists includes: Esvin Alarcón Lam, Ching Ho Cheng, Albert Chong, Cecile Chong, Chen Kong Fang, Laura Fong Prosper, Tikashi Fukushima, Mimian Hsu, Soeki Irodikromo, Mario N. Ishikawa, Lina Kim, Wifredo Lam, Caroline Ricca Lee, Suwon Lee, Dan Lie, Suchitra Mattai, Cisco Merel, Sandra Nakamura, Tomie Ohtake, Lydia Okumura, Chantal Peñalosa Fong, Gala Porras-Kim, Kazuya Sakai, Kim Yun Shin, Kelly Sinnapah Mary, Carlos Runcie Tanaka, Yuli Yamagata, David Zink Yi, and Alice Yura.
The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean centers the artistic production of the Asian diaspora in the region from the 1940s to the present. Focusing on postwar and contemporary art, the exhibition showcases the work of thirty artists from fifteen countries working in a range of artistic mediums including painting, sculpture, performance, photography, and video, to shed light into strategies and themes that resonate across a wide array of Asian diasporic practice throughout Latin America and the Caribbean.
The exhibition embraces and performs the multiple and interrelated meanings embedded in the notion of appearance, inspired by Japanese Brazilian artist Lydia Okumura’s 1975 print by the same title. From acts of appearing and becoming visible—including different types of apparitions—to the idea of impressions and physical resemblance, artists in the show grapple with the complexities of negotiating (in)visibility, revisiting and remaking family archives and stories, and engaging and reconfiguring spiritual practices. The show also addresses abstraction as a formal strategy linked to language, the senses, and the body in the context of the Americas’ postwar art.
Conceived as an appearance in and of itself, the show sheds light on the often-overlooked experiences and artistic trajectories of Asian diasporic subjects and collectives across Latin America and the Caribbean, casting them as both grounded in their particular context and constitutive of broader transnational histories.
To accompany the show, we will present a series of public programs and publish a catalogue.
This exhibition is co-curated by Tie Jojima, former associate curator and manager of Exhibitions at Americas Society in New York, and Yudi Rafael, independent curator and researcher based in São Paulo, Brazil.
(Source: Americas Society)
To read the full exhibition pocketbook, click here
